Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
Vogliamo tutto. Pratiche culturali e lavoro è una pubblicazione sul lavoro all’interno del contesto socio-culturale in evoluzione: dagli impatti della rivoluzione industriale, al declino post-industriale, fino alla rapida accelerazione dell’era digitale.
Divine Drudgery is an artist book with collages and artworks by James Richards and Leslie Thornton, and contributions by artists, writers and poets centred around liminality and the aesthetics and politics of the invisible.
The book is the first comprehensive monograph on the polymorphous work of Athanasios Argianas. It is published on the occasion of Hollowed Water, a major solo exhibition at Camden Arts Centre in 2020 and ARCH, Athens, in 2021.
Through exquisite craftsmanship, and with reference to romantic nationalism, Ann Böttcher explores how aesthetic and political projections characterize notions of nature, and how such conceptions are taken up by countries, political movements, and other institutions.
Voices (Towards Other Institutions) is the final act of the coral, multiform, articulated, two-year-long experiment carried out by Open, the Russian Federation Pavilion at the 17th International Architecture Exhibition.
The book deals with Diego Marcon’s practice through the analysis of three film and video works. Monelle (2017), Ludwig (2018), and The Parents’ Room (2020) are his most recent and complex projects, and they are all emblematic of central aspects of his production.
Edited by Wilfried Kuehn & Dubravka Sekulić
Authors: Martina Abri, Ross Exo Adams, Thomas Auer, Giovana Borasi, Susana Caló, Brendon Carlin, Peggy Deamer, Clémentine Deliss, FICTILIS, Francesco Garutti, Maria Shéhérazade Giudici, Joyce Hwang, Anousheh Kehar, Bettina Köhler, Elke Krasny, Wilfried Kuehn, Ippolito Pestellini Laparelli, Maxim Larrivée, Matthew Leander Kalil, Mark Lee, Steve Lyons for Not An Alternative, Armin Linke, Mona Mahall, Charlotte Malterre-Barthes, Dejan Marković, Ana Miljački, Erica Petrillo, Christian Raabe, Albert Refiti, Damon Rich, Christiane Salge, Ivonne Santoyo-Orozco, Anna Schäffler, Bernd Scherer, Laila Seewang, Dubravka Sekulić, Asli Serbest, Stuart Smith, Laurent Stalder, Milica Tomić.
Designed by Gregory Dapra & Laure Giletti
2025, English, softcover, 20 x 28.5 cm, 440 pages
ISBN 979-12-80579-61-4
The future of architecture lies in the curatorial approach. This is the thesis put forward by architect Wilfried Kuehn and theorist Dubravka Sekulić in their book Curatorial Design: A Place Between, which brings together contributions from more than 30 authors working in the fields of architecture, art, and curatorial knowledge and practice.
Architectural design and the curatorial share a non-disciplinary background, and aim to assemble diverse forms of knowledge rather than specializing. Inherently transdisciplinary, then, they are at odds with the increasing division of labor in all fields of knowledge and practice. In the face of professionalization, which limits our capacity to intervene comprehensively, design and the curatorial challenge specialization and produce relational knowledge. They intend to create an in-between place, as together they form a novel practice that—in combining heterogenous forms of knowledge—takes center stage rather than serving as a moderator or mediator of sorts. What unites them is the assertion of a relational form, the autonomy of which consists precisely in teasing out relations between different elements. What happens to architectural design when it consciously enters a relationship with the curatorial?
The book is aimed at practitioners and educators in the field of architecture and design, as well as curators and exhibition makers. It contains three photo series by Armin Linke that accompany the three sections of the book: “Public School for Architecture”, “Total Reconstruction,” and “Designing for Co-Habitation.”
Photos: Nicola Gnesi