The practice of Tomaso Binga (Bianca Pucciarelli Menna, 1931) toys with the notion of gender, reconsidering women’s social roles and rights. This monograph, edited by Eva Fabbris, Lilou Vidal, and Stefania Zuliani, analyses her work through various languages and features a selection of poems, highlighting the author’s critical and artistic approach.
In her work, Cally Spooner crystallizes an absurd contemporary ecosystem in which entities run the risk of managing themselves and one another to death. Featuring newly commissioned essays alongside a lecture by Spooner, SWEAT SHAME ETC. is the first comprehsive survey of the artist’s output of the last five years.
This new anthology brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010. New essays and conversations reflect on radical technological and poetic transformations in the works of the generation of digital native artists.
Center of the Frame is the artist’s first monograph and brings together paintings made between 1997 and 2024. The publication provides an in-depth look at Eisler’s fascination with cinema and with the transmission of images through the various formats of analog film, television broadcasts, Internet video and, of course, the painted canvas.
At 500 pages, this is the most comprehensive book yet on Norwegian artist, Ida Ekblad. Appearing three years after the artist’s show at Kunsthalle Zürich, Melted Snow took certainly a long time—all the time is takes to ponder fifteen years of the artist’s career.
On the occasion of PROVENCE’s 15th anniversary, the reader My Alphabet presents 26 texts published by PROVENCE between 2009 and 2024, either in print or digitally in the weekly newsletter. These texts are sorted alphabetically, ranging from A for Amphetamine to N for Ne travaillez jamais to Z for Gen Z.
Edited by Eva Fabbris with Giovanna Manzotti
Texts by Eva Fabbris, Alexis Vaillant and a conversation between Alessandro Pessoli and Pierpaolo Campanini. Designed by Lorenzo Mason Studio
2021, English / Italian, softcover. 24 x 33.5 cm, 88 pages
ISBN 979-12-80579-06-5
“In general, my whole work is a movement from the inside to the outside and vice versa; past and present, personal and collective are fluctuating entities; the work becomes an intermediate place where a transformation of the tragic sense of the world, of its conflict and violence, is taking place.” (Alessandro Pessoli, from a conversation with Pierpaolo Campanini)
Alessandro Pessoli (Cervia, Italy, 1963) lives and works in Los Angeles. His practice is typically multimedia in nature, focusing on drawing, painting and sculpture, while also favoring ceramic. Often underscored by themes spanning politics, religion, history, culture, and identity, his research recalls the theme of the sacred and the religious, emerging both from the resumption of historical figures, classical art-historical iconography, and everyday images which intermingle in a reconstruction of reality that is dreamlike, painful, and sometimes grotesque, but never lacking instinctive emotion.
The publication Testa Cristiana is the outcome of the project of the same name specifically conceived by the artist for the spaces of the Cloisters of Sant’Eustorgio and the Carlo Maria Martini Diocesan Museum in Milan, where all these issues are traceable in existing works and new productions created for the exhibition. Offering an intimate path that conveys Pessoli’s idea of sacredness, the show is a site-specific dialogue with the architecture and the relics preserved in the building, reflecting his conception of the sacred as confronted with contemporary life, which demands us to coexist with pain and uncertainty.
The volume aims to articulate this approach through a rich selection of installation views and a dedicated section where the exhibited works are graphically treated as “icons.” It features a text by writer and curator Alexis Vaillant on Pessoli’s oeuvre, with a particular focus on his chimeric figurative vocabulary, and an essay by curator Eva Fabbris, investigating the sense of the sacred through the artist’s practice. In addition, a conversation between Alessandro Pessoli and the Italian artist Pierpaolo Campanini reflects on the possible degree of spirituality in their artistic research.
The editor
Eva Fabbris is Exhibition Curator at Fondazione Prada, and also active as an independent curator and art historian. She has curated exhibitions at Fondazione Pomodoro in Milan, Nouveau Musée National de Monaco, Triennale di Milano, Fondazione Morra in Naples. As a writer, she is a contributor for international exhibition catalogs, publications, and magazines.