The album brings together the music composed by Federico Chiari for various film and video works by Diego Marcon, including Monelle (2017), Ludwig (2018), The Parents’ Room (2021), and Dolle (2023). The album comes with a booklet containing lyrics and images that provide a deeper insight into this unique, profoundly intertwined collaboration between Chiari and Marcon.
Paloma Bosquê (Garça, 1982) lives and works between São Paulo and Basel. Her most recent solo exhibitions include noite não noite sim, Mendes Wood DM, São Paulo (2020), Dark Matter, Blum and Poe, Tokyo (2020); In the Hot Sun of a Christmas Day, Mendes Wood DM, New York (2019); Inventory, Mendes Wood DM, Brussels (2018); O Oco e a Emenda, Pavilhão Branco, Museu da Cidade, Lisbon (2017); Field, Mendes Wood DM, São Paulo (2016); O Incômodo, Pivô, São Paulo (2015). Additionally, her work has been included in institutional group exhibitions as A Natural History of Ruins, Pivô, São Paulo (2021); Brasile. Il Coltello Nella Carne, Pac - Padiglione d’Arte Contemporanea, Milan (2018); Bienal de Coimbra, Coimbra (2017); Mycorial Theatre, Pivô, São Paulo (2016); Projeto Piauí, Pivô, São Paulo (2016); Roberto Burle Marx: Brazilian Modernist, The Jewish Museum, New York (2016); United States of Latin America, Museum of Contemporary Art Detroit, Detroit (2015).