This book, with follows the eponymous exhibition at Mudam Luxembourg, is constructed as a story, with a prologue, four acts, and an epilogue: an intuitive journey through the voices of thirty-four artists from different generations who are experimenting with the idea of the performative.
Dreaming Alcestis is an artist’s book by artist and filmmaker Beatrice Gibson, conceived as an accompaniment to her holographic film installation of the same name. It features a commissioned essay by poet and translator Allison Grimaldi Donahue, as well as a reprint of the American poet Alice Notley’s 1991 essay What Can Be Learned From Dreams?
What if clay is the future and the future is clay? Curators Chus Martínez and Filipa Ramos brought together a group of artists to think and create through this old, maleable and fascinating matter. The result was materialized in an exhibition and book format entitled Feet of Clay.
Catalog of the eponymous exhibition, held at the Centre d’Art Contemporain Genève and curated by Andrea Bellini, this publication brings together a number of essays that explore the notion of metamorphosis from different perspectives. The catalog, like the exhibition, celebrates a world in constant transformation, where human nature is fluid and hybrid, open to change.
Ce catalogue de l’exposition éponyme, organisée au Centre d’Art Contemporain Genève sous la direction d’Andrea Bellini, rassemble plusieurs essais qui explorent la notion de métamorphose sous différentes perspectives. Le catalogue, comme l’exposition, célèbre un monde en constante transformation, où la nature humaine est fluide et hybride, ouverte au changement.
Fredrik Værslev: The Garden Paintings is the first publication dedicated solely to one specific body of work in the artist’s practice. It includes essays by Martha Kirszenbaum and Erlend Hammer, and gives a comprehensive and chronological account of the works from the series, showing their stylistic development as well as their exhibition history.
Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published with Museum of Contemporary Art Australia (MCA)
2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0
Over the past two decades, Australian artist Nicholas Mangan has created a compelling body of work that considers humanity’s relationship to the natural world, taking everything from coral rubble to cryptocurrency as a point of departure.
Mangan’s art locates human history in the context of deep geological time. With a focus on Australia’s place in the Pacific, his works reflect on how social, political and economic upheaval are connected to the material world, offering new perspectives on pressing global issues, such as the impact of extractive mining on natural resources and climate change.
Published to coincide with the Australian artist’s survey exhibition at the Museum of Contemporary Art Australia, A World Undone showcases works created by an artist pushing sculpture to new limits. This richly illustrated publication combines artwork, archival and process imagery, and includes an extended interview with the artist, as well as new essays by key thinkers in the fields of anthropology, philosophy, political economy and art history.