A multifaceted perspective on contemporary sculpture that explores the practices and concepts of the medium through different approaches. The publication interweaves works by Yu Ji, Bronwyn Katz, Dan Lie, Trương Công Tùng, and Luana Vitra, with essays by Federico Giani, Sohrab Mohebbi, Julia Morandeira Arrizabalaga, Chiara Nuzzi, and Anne Reeve.
Suffused with specially conceived collages of the artist’s research materials, notes, and sketches, this is the first monograph on Castelli’s painting and sculpture, with essays by Sarah Crowe and Lillian Davies, and an artist interview by Francesco Manacorda. Published with Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien.
What if the shadow moved first? From March through May 2026, the exhibition The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.
A Cosmic Movie Camera is the title of the 18th edition of the BIM’24, which also marks the 50th anniversary of the Biennale organized by the Centre d’Art Contemporain Genève. By blending the real and the virtual, its catalogue captures the spirit of the exhibition, which explores the evolution of moving images, particularly in our algorithmic age.
The book seeks to define the contours of the obsession with the teenage years; a fixation that has shaped a significant strand of contemporary art over the last ten years. Adolescence is here understood as a state of mind, a prolonged condition that dissolves the transition into adulthood and becomes a critique of an unstable world.
In this multi-voiced book, starting from the Orobie Alpine range, the mountainside becomes an epistemological lens through which to interpret contemporaneity and address issues such as multi-species migrations, our relationship with geological time and intergenerational inheritance, and the rethinking of collective memories and rituals.
Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published with Museum of Contemporary Art Australia (MCA)
2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0
Over the past two decades, Australian artist Nicholas Mangan has created a compelling body of work that considers humanity’s relationship to the natural world, taking everything from coral rubble to cryptocurrency as a point of departure.
Mangan’s art locates human history in the context of deep geological time. With a focus on Australia’s place in the Pacific, his works reflect on how social, political and economic upheaval are connected to the material world, offering new perspectives on pressing global issues, such as the impact of extractive mining on natural resources and climate change.
Published to coincide with the Australian artist’s survey exhibition at the Museum of Contemporary Art Australia, A World Undone showcases works created by an artist pushing sculpture to new limits. This richly illustrated publication combines artwork, archival and process imagery, and includes an extended interview with the artist, as well as new essays by key thinkers in the fields of anthropology, philosophy, political economy and art history.
