A book emerged from the need to try to tell the story of architecture in a way quite unlike how it’s usually told, in a continuous dialogue between the anthropological gaze of Armin Linke’s photos compared with the ideation process of two public works by the Carlana Mezzalira Pentimalli architecture office.
The book documents and brings together two exhibition projects by Nina Canell and Maria Hassabi. Essays, unpublished materials and a rich set of photographic materials form the driving force behind two visual narratives that offer new keys to understanding the research of the two artists.
Can art, literature, filmmaking, and music draw out, make visible, legible, audible, or even contestable the patterns in which our lives are held? Considering the work by Stan Douglas, Harun Farocki, Ingri Fiksdal, Åke Hodell, Stefan Panhans & Andrea Winkler, Susan Philipsz, and Elizabeth Price, this publication entertains this question.
This new major monographic publication on the Ghanian artist documents the work that transformed sites and repurposed buildings in his native town of Tamale to transformative outcomes rooted into the idea of art as a tool of understanding, rebalancing, and advancement.
For life and limbs, Austrian artist and curator Anna-Sophie Berger has assembled a group of works, from Arakawa and Gins to Lyle Ashton Harris, that register the body as a habitat that can be imaginatively stretched, altered, modified, adorned, replicated or destroyed.
This two-volume catalog, curated by Andrea Bellini and the New York-based collective DIS, is the outcome of the 2021 edition of the Biennale de l’Image en Mouvement (BIM’21), presented at the Centre d’Art Contemporain Genève.
The Luxembourg Pavilion at the 60th Venice BiennaleA Comparative Dialogue Act
Edited by Joel Valabrega, Andrea Mancini, Every Island
Texts by Dan Fox, Bettina Steinbrügge, and Joel Valabrega
Scores by Selin Davasse (sound by Alexander Iezzi), Célin Jiang, Stina Fors & Bella Báguena
Published with Mudam Luxembourg
2024, English, vinyl and book bundle, 48 pages, 30 x 30 cm
ISBN 979-12-80579-53-9
The 48-page booklet is a prequel to the exhibition titled A Comparative Dialogue Act, the Luxembourg Pavilion at the 60th Venice Biennale, and includes an introduction by Bettina Steinbrügge, Director of Mudam Luxembourg; a commissioned essay by writer and musician Dan Fox a curatorial statement by Joel Valabrega, curator of the pavilion; alongside a rich visual contribution by the commissioned artists.
The vinyl record was released to mark the end of the Biennale, capturing the essence of the sonic interventions which have unfolded in the pavilion space over the last six months. The pavilion is the result of a collaboration between Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island and was conceived as an infrastructure for the transmission of sound.
The pavilion welcomed four guest artists at the Biennale—Selin Davasse, Célin Jiang, Stina Fors and Bella Báguena. Their creations were turned into an ongoing dialogue, now available as a vinyl record.