Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
This book accompanies 5 Works, Lydia Ourahmane’s first institutional solo show in Italy, staged at the Nicoletta Fiorucci Foundation in Venice and curated by Polly Staple, during the 61st Venice Biennale, and includes newly commissioned texts and images that further contextualize the artist’s practice and work.
Museums of Tears extends Francesco Vezzoli’s 2024 exhibition at Museo Correr, Venice, combining historical works and new commissions to explore antiquity, emotion and illusion. Conceived as an artist’s book rather than a catalogue, it transforms the museum guide into a hybrid archive and portable museum of memory, beauty and mourning.
A project by Fondazione In Between Art Film, edited by Carla Subrizi, Paola Ugolini, and Maria Alicata, this illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.
A multifaceted perspective on contemporary sculpture that explores the practices and concepts of the medium through different approaches. The publication interweaves works by Yu Ji, Bronwyn Katz, Dan Lie, Trương Công Tùng, and Luana Vitra, with essays by Federico Giani, Sohrab Mohebbi, Julia Morandeira Arrizabalaga, Chiara Nuzzi, and Anne Reeve.
Suffused with specially conceived collages of the artist’s research materials, notes, and sketches, this is the first monograph on Castelli’s painting and sculpture, with essays by Sarah Crowe and Lillian Davies, and an artist interview by Francesco Manacorda. Published with Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien.
What if the shadow moved first? From March through May 2026, the exhibition The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.
Edited by Tom McCarthy and Anne Hilde Neset
Texts by Inke Arns, Magnus Haglund, Tom McCarthy, Sina Najafi, Anne Hilde Neset, Susan Philipsz, David Toop, and Judith Vrancken
Design by Lorenzo Mason Studio
2022, English, softcover, 17 x 24 cm, 240 pages
ISBN: 979-12-80579-12-6
A holding pattern is what air traffic controllers use to keep several planes orbiting above a busy airport without crashing. The scenario suggests a general condition: of human destinies bound up in the circuits of technology; and of anxiety, danger, and salvation—being “brought in safely.” Involving elements of skill and craft, the drawing of patterns on a page, screen, or sky, it also invites analogies with art and choreography.
What are the patterns in which our lives are held? What rhythms, or algorithms, drive these? How do they play out in historical, political, and cultural terms? And can art, literature, filmmaking, and music draw them out, make them visible, legible, audible, or even contestable? These are the questions posed in a major international group exhibition at Kunstnernes Hus in Oslo, curated by Tom McCarthy and Anne Hilde Neset.
In this volume, published to accompany the exhibition, McCarthy and Neset reflect on artworks by Stan Douglas, Harun Farocki, Ingri Fiksdal, Åke Hodell, Stefan Panhans & Andrea Winkler, Susan Philipsz, and Elizabeth Price. The book also includes essays and contributions from Inke Arns, Magnus Haglund, Sina Najafi, Susan Philipsz, David Toop, and Judith Vrancken.
