A multifaceted perspective on contemporary sculpture that explores the practices and concepts of the medium through different approaches. The publication interweaves works by Yu Ji, Bronwyn Katz, Dan Lie, Trương Công Tùng, and Luana Vitra, with essays by Federico Giani, Sohrab Mohebbi, Julia Morandeira Arrizabalaga, Chiara Nuzzi, and Anne Reeve.
Suffused with specially conceived collages of the artist’s research materials, notes, and sketches, this is the first monograph on Castelli’s painting and sculpture, with essays by Sarah Crowe and Lillian Davies, and an artist interview by Francesco Manacorda. Published with Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien.
What if the shadow moved first? From March through May 2026, the exhibition The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.
A Cosmic Movie Camera is the title of the 18th edition of the BIM’24, which also marks the 50th anniversary of the Biennale organized by the Centre d’Art Contemporain Genève. By blending the real and the virtual, its catalogue captures the spirit of the exhibition, which explores the evolution of moving images, particularly in our algorithmic age.
The book seeks to define the contours of the obsession with the teenage years; a fixation that has shaped a significant strand of contemporary art over the last ten years. Adolescence is here understood as a state of mind, a prolonged condition that dissolves the transition into adulthood and becomes a critique of an unstable world.
In this multi-voiced book, starting from the Orobie Alpine range, the mountainside becomes an epistemological lens through which to interpret contemporaneity and address issues such as multi-species migrations, our relationship with geological time and intergenerational inheritance, and the rethinking of collective memories and rituals.
Edited by Alison Coplan
Texts by Brit Barton, Paige K. Bradley, Elisa R. Linn, Tyler Maxin
Designed by Pacific
2025, English, hardcover, 28.5 x 20.5 cm, 184 pages
ISBN 979-12-80579-71-3
Swiss artist Jan Vorisek (born 1987 in Basel) works across sculpture, video and sound to create site-specific installations that examine formal hierarchies through the delineation of space. In assemblages of found materials and sound-producing devices, he explores the fluctuation of noise as a medium for information. The multitudes of the smallest details of Vorisek’s practice provide, just as the complexities of the room-size installation do, an intricate, layered and endlessly unfolding potential for encounter and revelation.
A recurring theme in Vorisek’s works is the idea of process, decay or corrosion, not only as metaphor but as operative method: structures and objects are continuously disassembled, re-organized, re-animated, creating fluctuating environments where form and sound interweave.
The essays in the artist’s first-ever monograph, alongside image portfolios of the exhibitions they explore and an appendix that features photos and documentation of Vorisek’s performances, recordings and ephemera, grant us unprecedented access to the private fictions that the work reveals.
