Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
Covering the past thirty years of Scott’s practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.
A first monograph on Shahryar Nashat, generously illustrated with color photographs of the artist’s work and new scholarly contributions. Published in conjunction with two solo exhibitions, at Kunsthalle Basel and Swiss Institute in New York.
The first reference monograph dedicated to the artist and audio investigator, this book analyzes a practice that has been consistently exploring ‘the politics of listening’ and the role of sound and voice within the law and human rights.
Lam-See Lam’s storytelling develops through text, animations, and sculptural installations. Her multifaceted stories explore the narrative of the Cantonese diaspora in Sweden and examine questions of cultural identity.
A richly illustrated publication accompanying the experimental noise project as durational solo performance by Marco Fusinato for the Australia Pavilion at the 59th International Art Exhibition La Biennale di Venezia.
This catalogue explores some of the pivotal themes of the artist’s research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.
Edited by Daniel Baumann
Texts by Daniel Baumann, Stian Grøgaard, Martha Kirszenbaum, Agnes Moraux
Concept by Ida Ekblad and Dan Solbach
Design by Dan Solbach
Published with Kunsthalle Zürich
Second edition
2024, English, hardcover, 500 pages, 23.5 x 32 cm
ISBN 979-12-80579-35-5
Ida Ekblad lives in Oslo. She is a painter, sculptor, publisher, music producer, curator, and designer. She also writes. Her sources of inspiration include folk art, fashion, garbage, Samuel Beckett, youth culture, the natural forces of the elements, Gena Rowlands, traditional crafts, and so on. Everyday life is central to her work—as an imposition, but also conveying grace; as a voracious monster and a source of happiness; as a disaster and a glimmer of hope—for in Ekblad’s view, everything is full of promise, including art.
Melted Snow, published three years after Ekblad’s exhibition FRA ÅRE TIL OVN at Kunsthalle Zürich, is a lavish and riveting collection of works and exhibitions from 2007–2021, accompanied by newly commissioned texts and a conversation between the artist and Agnes Moraux. “Mess can be confusing to deal with,” Ekblad concedes, “but mess is never out of focus.”
Ida Ekblad (*1980) lives and works in Oslo. She studied at Central Saints Martins in London, the National Academy of Art in Oslo, and at the Mountain School of Arts in Los Angeles. She participated in the Venice Biennale (2011, 2017) as well as in numerous international group exhibitions. Ekblad has presented solo exhibitions at Kunstnernes Hus, Oslo (2021); Kunsthalle Zürich (2019); Museo Tamayo, Mexico City (2019); Kunstverein Braunschweig (2018); Kunsthaus Hamburg (2017); Bonniers Konsthall, Stockholm (2010); and Bergen Kunsthall (2010), among others.