Maxiprocesso brings together 360 photographs by Maria D. Rapicavoli, one for each of the archival folders documenting the largest mafia trial in history, held in Palermo from 1986 to 1987. The volume explores the relationship between memory, justice, and social responsibility, examining the material element of a landmark event in contemporary Italian history.
This is the first monograph on the influential American choreographer and dancer Trajal Harrell. In an entertaining, far-reaching conversation with curator Daniel Baumann, Harrell covers all of his choreographies and performances, as well as his influences, successes, and failures, addressing how he transforms and transgresses the history of dance.
This book offers the first comprehensive overview of Anna Franceschini’s practice. Organized around recurring themes, it explores animation, the body, machines, ghosts, desire, and windows through commissioned contributions and selected writings. Its associative structure reflects her interest in repetition, transformation, and unstable images.
This book accompanies 5 Works, Lydia Ourahmane’s first institutional solo show in Italy, staged at the Nicoletta Fiorucci Foundation in Venice and curated by Polly Staple, during the 61st Venice Biennale, and includes newly commissioned texts and images that further contextualize the artist’s practice and work.
Museums of Tears extends Francesco Vezzoli’s 2024 exhibition at Museo Correr, Venice, combining historical works and new commissions to explore antiquity, emotion and illusion. Conceived as an artist’s book rather than a catalogue, it transforms the museum guide into a hybrid archive and portable museum of memory, beauty and mourning.
A project by Fondazione In Between Art Film, edited by Carla Subrizi, Paola Ugolini, and Maria Alicata, this illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.
BIM’21. A Goodbye Letter, A Love Call, A Wake-Up Song
Edited by Andrea Bellini & DIS - Lauren Boyle, Solomon Chase, Marco Roso, David Toro
Contributors: Emily Allan & Leah Hennessey, Theo Anthony, Andrea Bellini, Riccardo Benassi, Will Benedict & Steffen Jørgensen, Hannah Black & Juliana Huxtable & And Or Forever, DIS, Giulia Essyad, Simon Fujiwara, GRAU, Mandy Harris Williams, Camille Henrot, Sabrina Röthlisberger Belkacem, Akeem Smith and TELFAR.
Design by Robert Huber
Hardcover, two-volume catalog, 300 pages, 24.4 x 30.2 cm
ISBN 979-12-80579-27-0
A Goodbye Letter, A Love Call, A Wake-Up Song is the title of the 2021 edition of the Biennale de l’Image en Mouvement (BIM’21), presented at the Centre d’Art Contemporain Genève. Curated by the Centre’s director Andrea Bellini and the New York-based collective DIS, the unique aspect of this edition was that the works—which, as always, were commissioned and produced by the Centre d’Art Contemporain Genève—were presented as site-specific installations in the exhibition space, but also in versions that could be viewed on the computer screen. The atmosphere of BIM’21 expressed a shared urge to imagine worlds that differ from the one we live in, and by a creative refusal of the status quo, including the current economic system.
The catalog is divided into two volumes, the first gathers textual materials—interviews, excerpts and scripts—to highlight the importance of writing in the recent video production of the artists invited to this Biennial. The second volume collects video stills and installation views that enable readers to ideally retrace the exhibition space of the Centre, which for the occasion was transformed into a curious hotel-like space, with long, dim corridors leading to fourteen different rooms.
Featuring works by Emily Allan & Leah Hennessey, Theo Anthony, Riccardo Benassi, Will Benedict & Steffen Jørgensen, Hannah Black & Juliana Huxtable & And Or Forever, DIS, Giulia Essyad, Simon Fujiwara, GRAU, Mandy Harris Williams, Camille Henrot, Sabrina Röthlisberger Belkacem, Akeem Smith, and TELFAR.
