Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
Covering the past thirty years of Scott’s practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.
A first monograph on Shahryar Nashat, generously illustrated with color photographs of the artist’s work and new scholarly contributions. Published in conjunction with two solo exhibitions, at Kunsthalle Basel and Swiss Institute in New York.
The first reference monograph dedicated to the artist and audio investigator, this book analyzes a practice that has been consistently exploring ‘the politics of listening’ and the role of sound and voice within the law and human rights.
Lam-See Lam’s storytelling develops through text, animations, and sculptural installations. Her multifaceted stories explore the narrative of the Cantonese diaspora in Sweden and examine questions of cultural identity.
A richly illustrated publication accompanying the experimental noise project as durational solo performance by Marco Fusinato for the Australia Pavilion at the 59th International Art Exhibition La Biennale di Venezia.
This catalogue explores some of the pivotal themes of the artist’s research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.
Edited by Martina Panelli
Texts by Fernanda Brenner, Mariano Mayer, Martina Panelli, Santiago de Paoli, Christian Rattemeyer
Designed by Lorenzo Mason Studio
2024, English / Spanish, softcover, 16.5 x 23 cm, 416 pages
ISBN: 979-12-80579-54-6
First Meeting is the first monograph on Argentinian artist Santiago de Paoli. Covering de Paoli’s oeuvre from his early, experimental projects to his most recent explorations, the book delves into his innovative approach of painting on unconventional materials, from plaster to bread, felt to canvas, aluminum to wool, and socks to fur. It features newly commissioned essays by Fernanda Brenner, and Mariano Mayer, as well as a conversation between Christian Rattemeyer and the artist.
The book is also punctuated by visual archives of de Paoli’s different studios throughout the years, enriching the comprehensive overview of an artistic universe where nature, abstraction, magic, and surrealism intersect and converge. Encompassing works dating from 2010 to 2024, this monograph lays out an original pathway for the interpretation of de Paoli’s oeuvre.
Photos: Nicola Gnesi