Covering the past thirty years of Scott’s practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.
A first monograph on Shahryar Nashat, generously illustrated with color photographs of the artist’s work and new scholarly contributions. Published in conjunction with two solo exhibitions, at Kunsthalle Basel and Swiss Institute in New York.
The first reference monograph dedicated to the artist and audio investigator, this book analyzes a practice that has been consistently exploring ‘the politics of listening’ and the role of sound and voice within the law and human rights.
Lam-See Lam’s storytelling develops through text, animations, and sculptural installations. Her multifaceted stories explore the narrative of the Cantonese diaspora in Sweden and examine questions of cultural identity.
A richly illustrated publication accompanying the experimental noise project as durational solo performance by Marco Fusinato for the Australia Pavilion at the 59th International Art Exhibition La Biennale di Venezia.
This catalogue explores some of the pivotal themes of the artist’s research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.
Edited by Rui Mateus Amaral
Texts by Rui Mateus Amaral, Carlos Bunga, Rina Carvajal, Roland Groenenboom, Omar Kholeif, November Paynter, and Catarina Rosendo
Designed by Ilhas Studio
2025, English / Portuguese, hardcover, 14 x 19 cm, 388 pages
ISBN 979-12-80579-92-8
Carlos Bunga: Inhabit the Contradiction is an extensive monograph devoted to the work of Carlos Bunga, published in conjunction with his eponymous exhibition presented at CAM – Gulbenkian.
The book contains notes by the exhibition curator and catalogue editor, Rui Mateus Amaral, who introduces readers to the exhibition project, providing an in-depth account of its genesis and development, focusing on the dialogue between Bunga’s work and selected pieces from the CAM collection. The notes describe both Bunga’s new and existing works, as well as their configuration within the space, with the intention of opening up multiple points of access to the exhibition, leaving room for individual interpretation.
Designed by as ilhas studio, the catalogue also contains new essays by various authors written especially for the occasion—Rina Carvajal, Roland Groenenboom, Omar Kholeif, November Paynter, and Catarina Rosendo—each offering an in-depth look at salient aspects of the artist’s multifaceted practice.
The content is complemented by DNA 2015–25, a dictionary-style text that Bunga began in 2015 and adapted for this publication. The terms, which the artist defines in his own unique way, are keywords that allow the reader to enter into Bunga’s current thought process, and into his particular approach to the world of art.
The book also contains a rich picture section, mainly dedicated to site-specific works and performances: a series of installation views, video stills, and performance views alternate with photographs, published for the first time, documenting the installation and assembly process of numerous exhibitions and works. Like a slide show, this image gallery offers a unique and generous insight into Bunga’s working method through the main projects the artist has worked on between 2019 and 2025. The poster enveloping the book completes the documentation, providing a snapshot of the installation of Inhabit the Contradiction at CAM – Gulbenkian, Lisbon.