In her work, Cally Spooner crystallizes an absurd contemporary ecosystem in which entities run the risk of managing themselves and one another to death. Featuring newly commissioned essays alongside a lecture by Spooner, SWEAT SHAME ETC. is the first comprehsive survey of the artist’s output of the last five years.
This new anthology brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010. New essays and conversations reflect on radical technological and poetic transformations in the works of the generation of digital native artists.
Center of the Frame is the artist’s first monograph and brings together paintings made between 1997 and 2024. The publication provides an in-depth look at Eisler’s fascination with cinema and with the transmission of images through the various formats of analog film, television broadcasts, Internet video and, of course, the painted canvas.
At 500 pages, this is the most comprehensive book yet on Norwegian artist, Ida Ekblad. Appearing three years after the artist’s show at Kunsthalle Zürich, Melted Snow took certainly a long time—all the time is takes to ponder fifteen years of the artist’s career.
On the occasion of PROVENCE’s 15th anniversary, the reader My Alphabet presents 26 texts published by PROVENCE between 2009 and 2024, either in print or digitally in the weekly newsletter. These texts are sorted alphabetically, ranging from A for Amphetamine to N for Ne travaillez jamais to Z for Gen Z.
This publication is devoted exclusively to the metal works of Sidsel Meineche Hansen. Catalogued here is every cast, forged, and fabricated metal sculpture made since 2017. Poems by the artist Diego Marcon annotate and respond to the individual pieces.
Edited by Simon Denny, Timon Beyes, Robin Holt, Claus Pias, and Bettina Steinbrügge
Design by David Bennewith
2023, English, softcover, 204 pages, 22 x 30 cm
ISBN 979-12-80579-16-4
Based on the exhibition Proof of Stake: Technological Claims at Kunstverein in Hamburg, curated by Simon Denny and Bettina Steinbrügge, the book brings together a global group of artists and scholars who inquire into the objects, apparatuses, geographies and power relations of organized life.
How does technology organize life? Who gets to claim the technological as their own, and thereby becomes claimed? How can the technological be reclaimed?
The Proof-of-Stake protocol is assumed to provide a sustainable consensus mechanism for blockchain transactions. This book uses this assertion as a springboard to artistically and conceptually investigate the organizational conditions and effects of technology and technological objects.
Designed by David Bennewith, Proof of Stake: Technological Claims is more thought experiment and tool to think with than exhibition catalogue. It interweaves the documentation of the works of the participating artists with 20 original essays on technological objects written by leading scholars.
Contributing artists: Robert Alice, Mel Chin, Joshua Citarella, Simon Denny, Fang Di, Stephanie Dinkins, DISNOVATION, Sarah Friend, Isa Genzken, Holly Herndon / Mathew Dryhurst, Femke Herregraven, Mike Kelley, Josh Kline, Paul Kolling, Agnieszka Kurant, James Luna, Karamia Müller, New Red Order (NRO): Zack Khalil, Adam Khalil, Jackson Polys, Yuri Pattison, Timur Si-Qin, Jaune Quick-to-See Smith, Krista Belle Stewart, Paul Thek, Luke Willis Thompson, Prateek Vijan, andBeecoin – a project by KUNSTrePUBLIK (Einhoff, Horst, Sachs) in cooperation with Hiveeyes and Nascent (Paul Seidler & Max Hampshire).
With essays by Clemens Apprich, Timon Beyes and Robin Holt, Clare Birchall, Tania Pérez-Bustos, Wendy Hui Kyong Chun and Gillian Russell, Rachele Delucchi, Günter Figal, Yuriko Furuhata, Marisa Galvez, Maya Indira Ganesh, Ute Holl, Geert Lovink, Reinhold Martin, Joshua Neves, Viviane Sergi, Nishant Shah, Marc Steinberg, Denise Tse-Shang Tang, Bettina Vismann, Kalindi Vora, Yutaka Yamauchi and Ko Kado.