Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
Since the 1980s, Belgian artist Sigefride Bruna Hauman has created a highly original body of work in different media. Her installations, reliefs and videos are the subject of a much-overdue retrospective organized by M Leuven—and of this first monograph.
Rituals of Care is an extensive monograph devoted to the work of Antonio Obá, published in conjunction with his eponymous exhibition presented at the Centre d’Art Contemporain Genève, curated by Andrea Bellini. Extensively illustrated, the book immerses the reader in Obá’s multifaceted oeuvre and in the magical iconographic universe of his paintings.
Claiming that the museum is not enough means asking what a museum should be and do, eventually questioning the role of cultural institutions in society. Through conversations, stills of documentaries, responses, and reprints of archival documents that explore ideas of architecture on the ground, this volume reflects on the tools deployed by the institution to redefine its relationship to others.
Affirmer que le musée ne suffit pas, c’est interroger ce qu’un musée devrait être et faire, et réfléchir de manière critique sur le rôle des institutions culturelles dans nos sociétés. À travers des conversations, des photogrammes de documentaires, des interventions et des reproductions d’archives questionnant les conceptions de l’architecture sur le terrain, ce volume réfléchit aux outils mis en œuvre par l’institution pour redéfinir sa relation aux autres.
Semi-Nomadic Debt-Ridden Bedouins is the first monograph on the work of the Palestinian artist and filmmaker Basma al-Sharif. Spanning nearly two decades of moving-image and installation work, it combines visual documentation with texts that reflect on the charged political landscapes through which al-Sharif navigates.
This monograph marks the occasion of the first European survey of Nicola L. (1932–2018). Often discussed in the context of Pop Art, activism, feminism, and design, this is the first in-depth exploration of the multi-layered and expansive nature of her extraordinary practice, which also encompassed cosmology, environmental concerns, spirituality, political protest, and sexuality.
Edited by Daniel Baumann
Texts by Daniel Baumann, Stian Grøgaard, Martha Kirszenbaum, Agnes Moraux
Concept by Ida Ekblad and Dan Solbach
Design by Dan Solbach
Published with Kunsthalle Zürich
Second edition
2024, English, hardcover, 500 pages, 23.5 x 32 cm
ISBN 979-12-80579-35-5
Ida Ekblad lives in Oslo. She is a painter, sculptor, publisher, music producer, curator, and designer. She also writes. Her sources of inspiration include folk art, fashion, garbage, Samuel Beckett, youth culture, the natural forces of the elements, Gena Rowlands, traditional crafts, and so on. Everyday life is central to her work—as an imposition, but also conveying grace; as a voracious monster and a source of happiness; as a disaster and a glimmer of hope—for in Ekblad’s view, everything is full of promise, including art.
Melted Snow, published three years after Ekblad’s exhibition FRA ÅRE TIL OVN at Kunsthalle Zürich, is a lavish and riveting collection of works and exhibitions from 2007–2021, accompanied by newly commissioned texts and a conversation between the artist and Agnes Moraux. “Mess can be confusing to deal with,” Ekblad concedes, “but mess is never out of focus.”
Ida Ekblad (*1980) lives and works in Oslo. She studied at Central Saints Martins in London, the National Academy of Art in Oslo, and at the Mountain School of Arts in Los Angeles. She participated in the Venice Biennale (2011, 2017) as well as in numerous international group exhibitions. Ekblad has presented solo exhibitions at Kunstnernes Hus, Oslo (2021); Kunsthalle Zürich (2019); Museo Tamayo, Mexico City (2019); Kunstverein Braunschweig (2018); Kunsthaus Hamburg (2017); Bonniers Konsthall, Stockholm (2010); and Bergen Kunsthall (2010), among others.