A project by Fondazione In Between Art Film, edited by Carla Subrizi, Paola Ugolini, and Maria Alicata, this illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.
A multifaceted perspective on contemporary sculpture that explores the practices and concepts of the medium through different approaches. The publication interweaves works by Yu Ji, Bronwyn Katz, Dan Lie, Trương Công Tùng, and Luana Vitra, with essays by Federico Giani, Sohrab Mohebbi, Julia Morandeira Arrizabalaga, Chiara Nuzzi, and Anne Reeve.
Suffused with specially conceived collages of the artist’s research materials, notes, and sketches, this is the first monograph on Castelli’s painting and sculpture, with essays by Sarah Crowe and Lillian Davies, and an artist interview by Francesco Manacorda. Published with Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien.
What if the shadow moved first? From March through May 2026, the exhibition The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.
A Cosmic Movie Camera is the title of the 18th edition of the BIM’24, which also marks the 50th anniversary of the Biennale organized by the Centre d’Art Contemporain Genève. By blending the real and the virtual, its catalogue captures the spirit of the exhibition, which explores the evolution of moving images, particularly in our algorithmic age.
The book seeks to define the contours of the obsession with the teenage years; a fixation that has shaped a significant strand of contemporary art over the last ten years. Adolescence is here understood as a state of mind, a prolonged condition that dissolves the transition into adulthood and becomes a critique of an unstable world.
Edited by Alison Coplan, Laura McLean-Ferris.
Introduction by Simon Castets. Texts by Annie Godfrey Larmon, Philipp Ekardt, Anna-Sophie Berger.
Design by Pacific
Hardcover, 152 pages, 20 x 28 cm
ISBN: 979-12-80579-09-6
The gallery becomes a mouth. It has four pointy teeth and is an aged, even sickly, shade of off-white. The teeth are walls, and on them hang artworks Anna-Sophie Berger selected for the exhibition life and limbs, Swiss Institute’s fourth installment of its Architecture and Design Series. Berger’s premise for the show considered the body an experimental testing ground for design, a living site that is both vulnerable and resilient. As the title implies, life and limbs exists in a world where the human body, unadorned, is at risk and often confronts threat with dark and knowing humor but also with grace. Across these works, which draw from speculative architectures, Surrealism, late twentieth-century fashion design, and Viennese Actionism, among many other subsects of modern visual culture, Berger’s singular understanding of corporeal awareness unfolds. In the clutches of this jaw, bodies find ways to disappear, though some stretch, reach, and metamorphosize in attempts to escape themselves. This book is a means to further explore Berger’s thesis. Three remarkable essays, by Annie Godfrey Larmon, Philipp Ekardt and Berger herself, ponder the works that populate this wunderkammer and question design’s transformative potential.
