Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
A visual notebook of the screenshots taken by Yngve Holen over the past five years or so, 6G—the anticipated next phase of network technology—is a peculiarly sized artist’s book, a glossy non-linear agglomeration that reflects the intersections of production, life, and digital debris.
Conceived as a visual résumé, the book provides a comprehensive overview of Posenenske’s solo exhibitions and a record of her numerous group shows. Featuring an essay by curator Erlend Hammer on the role of documentary photographs in the circulation of works of art, it was published in conjunction with the eponymous show at the Haugar Art Museum in Tønsberg.
This big artist book was born from the collection of hundreds of tickets of concerts, attended by artist Jac Leirner for the past four decades.
Since the 1980s, Belgian artist Sigefride Bruna Hauman has created a highly original body of work in different media. Her installations, reliefs and videos are the subject of a much-overdue retrospective organized by M Leuven—and of this first monograph.
Rituals of Care is an extensive monograph devoted to the work of Antonio Obá, published in conjunction with his eponymous exhibition presented at the Centre d’Art Contemporain Genève, curated by Andrea Bellini. Extensively illustrated, the book immerses the reader in Obá’s multifaceted oeuvre and in the magical iconographic universe of his paintings.
Claiming that the museum is not enough means asking what a museum should be and do, eventually questioning the role of cultural institutions in society. Through conversations, stills of documentaries, responses, and reprints of archival documents that explore ideas of architecture on the ground, this volume reflects on the tools deployed by the institution to redefine its relationship to others.
Texts by Emily King and Rebecca May Johnson
Design by Wolfe Hall
Co-published with Fondazione Arnaldo Pomodoro
2024, English, softcover, 16 x 28 cm, 48 pages
ISBN 979-12-80579-51-5
KOOL. A Type Specimen is an artist’s book built around KOOL (“cabbage” in Dutch), a new font designed by Magali Reus, winner of the seventh edition of the Arnaldo Pomodoro Prize for Sculpture. Midway between a plant alphabet and concrete poetry, the KOOL font is created in collaboration with Antonio de la Hera and Kia Tasbihgou and includes twenty-six lowercase letters, twenty-six uppercase letters, a complete set of numbers, sixteen punctuation marks, and six symbols.
The project is the upshot of a three-year research project focused on the visual and calligraphic relationship between scraps of red cabbage and letters of the Roman alphabet. The volume is inspired by the traditional format of the type specimen book, or type foundry sample book, used to show clients the myriad graphic possibilities, layouts, and configurations unique to a new typeface.
The book features texts by design writer Emily King and Rebecca May Johnson, a food specialist, and was created in conjunction with Off Script: a solo exhibition by Reus staged by the Arnaldo Pomodoro Foundation in collaboration with the Museo del Novecento in Milan.
Photos: Nicola Gnesi