What if clay is the future and the future is clay? Curators Chus Martínez and Filipa Ramos brought together a group of artists to think and create through this old, maleable and fascinating matter. The result was materialized in an exhibition and book format entitled Feet of Clay.
Catalog of the eponymous exhibition, held at the Centre d’Art Contemporain Genève and curated by Andrea Bellini, this publication brings together a number of essays that explore the notion of metamorphosis from different perspectives. The catalog, like the exhibition, celebrates a world in constant transformation, where human nature is fluid and hybrid, open to change.
Ce catalogue de l’exposition éponyme, organisée au Centre d’Art Contemporain Genève sous la direction d’Andrea Bellini, rassemble plusieurs essais qui explorent la notion de métamorphose sous différentes perspectives. Le catalogue, comme l’exposition, célèbre un monde en constante transformation, où la nature humaine est fluide et hybride, ouverte au changement.
Fredrik Værslev: The Garden Paintings is the first publication dedicated solely to one specific body of work in the artist’s practice. It includes essays by Martha Kirszenbaum and Erlend Hammer, and gives a comprehensive and chronological account of the works from the series, showing their stylistic development as well as their exhibition history.
Between an artist’s book and a catalogue, this publication follows up on Armleder’s multidimensional exhibition at KANAL in 2020–21. Through archival pictures and in depth conversations, the book is designed to recreate the immersive experience of this collective experiment, and proposes a dive into something akin to a large self-portrait, conceived through the works of more than a hundred artists.
This artist’s book reflects Eva & Franco Mattes’ continued interest in the condition of displacement to be sensed in Fukushima. Borrowing the format of wrapping-paper catalogs, it contains twenty large pre-perforated sheets, each of which features a photographic texture—a seamlessly repeating motif captured by the camera amid the radioactive ruins of the contaminated towns and countryside.
Texts by Emily King and Rebecca May Johnson
Design by Wolfe Hall
Co-published with Fondazione Arnaldo Pomodoro
2024, English, softcover, 16 x 28 cm, 48 pages
ISBN 979-12-80579-51-5
KOOL. A Type Specimen is an artist’s book built around KOOL (“cabbage” in Dutch), a new font designed by Magali Reus, winner of the seventh edition of the Arnaldo Pomodoro Prize for Sculpture. Midway between a plant alphabet and concrete poetry, the KOOL font is created in collaboration with Antonio de la Hera and Kia Tasbihgou and includes twenty-six lowercase letters, twenty-six uppercase letters, a complete set of numbers, sixteen punctuation marks, and six symbols.
The project is the upshot of a three-year research project focused on the visual and calligraphic relationship between scraps of red cabbage and letters of the Roman alphabet. The volume is inspired by the traditional format of the type specimen book, or type foundry sample book, used to show clients the myriad graphic possibilities, layouts, and configurations unique to a new typeface.
The book features texts by design writer Emily King and Rebecca May Johnson, a food specialist, and was created in conjunction with Off Script: a solo exhibition by Reus staged by the Arnaldo Pomodoro Foundation in collaboration with the Museo del Novecento in Milan.