This compelling artist’s book is built around KOOL (“cabbage” in Dutch), an original font designed by Reus, somewhere between a plant alphabet and concrete poetry. The publication draws on the type specimen book tradition to present new typefaces.
Through a rich selection of images, this artist’s book, published in two editions—gold and silver—explores the birth, life and death of Francesco Gennari’s work Vorrei perdermi e non trovarmi più, 2022, exhibited for the first time at the Ciaccia Levi Gallery in Paris.
Through a rich selection of images, this artist’s book, published in two editions—gold and silver—explores the birth, life and death of Francesco Gennari’s work Vorrei perdermi e non trovarmi più, 2022, exhibited for the first time at the Ciaccia Levi Gallery in Paris.
This richly illustrated publication combines artwork, archival and process imagery, and includes an extended interview with the artist, as well as new essays by key thinkers in the fields of anthropology, philosophy, political economy and art history.
In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist’s theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.
Shahryar Nashat inserts his art in the pages of this new artist’s book, which takes the form of a catalogue-turned-manual: but instead of explaining its meaning, he strips it of its aura, flaunts its nature as an object and describes step-by-step how to create it.
Edited by Samson Young
Texts by Karen Cheung, Alison Guh, Xiaoyu Weng, Samson Young
Designed by Dixon Chan
2025, English, 19 x 24 cm, 120 pages
ISBN 979-12-80579-63-8
This monograph, published on the occasion of Young’s exhibition at SFMOMA, features two new essays by curators Karen Cheung and Alison Guh, as well as a conversation between Xiaoyu Weng and the artist that delves into the exhibition’s emotional resonance and the philosophical implications of memory, AI, and time. The publication also includes an extended note on the technical aspects of the work. The texts are accompanied by archival image collages by book designer Dixon Chan.
Intentness and Songs is a multimedia installation that poetically traces the idiosyncratic rhythms of love, memory, and experiences of time. In this interconnected audiovisual landscape, Young draws on the duration and rhythm of human and generative AI memory-recall processes as the basis for polychromatic sculptures, videos, and a mesmerizing soundscape. Visitors are invited to wander through pathways of wooden boards, with markings created through a mix of techniques, and 3D-printed boards, etched and embedded with objects and memories excerpted from the lives of the artist and his husband.