Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
Through a rich selection of images, this artist’s book, published in two editions—gold and silver—explores the birth, life and death of Francesco Gennari’s work Vorrei perdermi e non trovarmi più, 2022, exhibited for the first time at the Ciaccia Levi Gallery in Paris.
This richly illustrated publication combines artwork, archival and process imagery, and includes an extended interview with the artist, as well as new essays by key thinkers in the fields of anthropology, philosophy, political economy and art history.
In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist’s theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.
Shahryar Nashat inserts his art in the pages of this new artist’s book, which takes the form of a catalogue-turned-manual: but instead of explaining its meaning, he strips it of its aura, flaunts its nature as an object and describes step-by-step how to create it.
Martin Heidegger, Glenn Gould, Jacques-Louis David, Cy Twombly, Paul Engelmann and Ludwig Wittgenstein: characters that Francesco Arena has chosen or rediscovered in multiple contexts over the time recur in this book. Ranging from philosophy, to music, to visual arts, they embrace the whole world of knowledge.
This first institutional monograph on the multimedia practice of artist and director Ali Cherri aims to highlight the themes and formal concerns running through his most recent, highly significant projects at GAMeC, Bergamo; Frac Bretagne, Rennes; Swiss Institute, New York; Biennale Arte 2022, Venice; and the National Gallery, London.
Texts by Francesco Arena with Davide Pellicciari and Carlotta Spinelli
Notes by Nicola Del Roscio and Federico Vercellone
Design: Marcello Jacopo Biffi
2024, English / Italian, softcover, 20 x 28 cm, 112 pages
ISBN: 979-12-80579-48-5
Through his multidisciplinary practice, Francesco Arena implements continuous and subtle references to contemporary society, highlighting the impossibility of being totally self-sufficient and how crucial is to have a support from others. For the artist, just like religion, magic, philosophy and politics, art is a support for human life but also an antidote that humanity has created to give meaning to the existence and to be protected against the unknown.
The title of this volume, published to accompany Arena’s exhibition at Fondazione Nicola Del Roscio in Rome, refers to a famous quote by Heraclitus that was inscribed on the lintel of the entrance door of Heidegger’s famous hütte in Todtnauberg, rebuilt in real dimensions inside the space of the Foundation. The hut, ideally related to the philosopher’s memory, is a work that contains a series of new sculptures that create a game of continuous cross-references and exchanges between container and content, visible and invisible, individual and collective experience. By superimposing archive images and current documentation, this book replicates the same dynamics.
Published with Fondazione Nicola Del Roscio, Rome
Photos: Marcello Jacopo Biffi