Center of the Frame is the artist’s first monograph and brings together paintings made between 1997 and 2024. The publication provides an in-depth look at Eisler’s fascination with cinema and with the transmission of images through the various formats of analog film, television broadcasts, Internet video and, of course, the painted canvas.
On the occasion of PROVENCE’s 15th anniversary, the reader My Alphabet presents 26 texts published by PROVENCE between 2009 and 2024, either in print or digitally in the weekly newsletter. These texts are sorted alphabetically, ranging from A for Amphetamine to N for Ne travaillez jamais to Z for Gen Z.
This publication is devoted exclusively to the metal works of Sidsel Meineche Hansen. Catalogued here is every cast, forged, and fabricated metal sculpture made since 2017. Poems by the artist Diego Marcon annotate and respond to the individual pieces.
This compelling artist’s book is built around KOOL (“cabbage” in Dutch), an original font designed by Reus, somewhere between a plant alphabet and concrete poetry. The publication draws on the type specimen book tradition to present new typefaces.
Through a rich selection of images, this artist’s book, published in two editions—gold and silver—explores the birth, life and death of Francesco Gennari’s work Vorrei perdermi e non trovarmi più, 2022, exhibited for the first time at the Ciaccia Levi Gallery in Paris.
Through a rich selection of images, this artist’s book, published in two editions—gold and silver—explores the birth, life and death of Francesco Gennari’s work Vorrei perdermi e non trovarmi più, 2022, exhibited for the first time at the Ciaccia Levi Gallery in Paris.
Concept by Sabo Day, Shahryar Nashat and Kristian Vistrup Madsen
Edited by Francesca Benini and Gioia Dal Molin
Texts by Kristian Vistrup Madsen, Francesca Benini and Gioia Dal Molin
Design by Sabo Day
2024, English/Italian, softcover, 23.5 x 32 cm, 144 pages
ISBN 979-12-80579-47-8
Shahryar Nashat explores the space between the real, tangible object and the incorporeal—be it a sensation, an idea, or a virtual image. His art is never assertive. Neither is this book, published to accompany the artist’s new project for MASI Lugano and Istituto Svizzero in Rome. Fashioned as an instructional catalogue, instead of providing a key to interpreting the works, it leads the reader to a state of uncertainty and attraction, becoming an emotional composition. Following the artist’s plea to forego thorough rational understanding, the book acquires a rhythm of its own, which goes in and out of the body and amplifies feeling. Nashat inserts his art in the pages of this manual, strips it of its aura, flaunts its nature as an object and describes step-by-step how to create it. Here are 17 chances to get it.
Published with MASI Lugano and Istituto Svizzero, Rome/Milan/Palermo