This book accompanies 5 Works, Lydia Ourahmane’s first institutional solo show in Italy, staged at the Nicoletta Fiorucci Foundation in Venice and curated by Polly Staple, during the 61st Venice Biennale, and includes newly commissioned texts and images that further contextualize the artist’s practice and work.
Museums of Tears extends Francesco Vezzoli’s 2024 exhibition at Museo Correr, Venice, combining historical works and new commissions to explore antiquity, emotion and illusion. Conceived as an artist’s book rather than a catalogue, it transforms the museum guide into a hybrid archive and portable museum of memory, beauty and mourning.
A project by Fondazione In Between Art Film, edited by Carla Subrizi, Paola Ugolini, and Maria Alicata, this illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.
A multifaceted perspective on contemporary sculpture that explores the practices and concepts of the medium through different approaches. The publication interweaves works by Yu Ji, Bronwyn Katz, Dan Lie, Trương Công Tùng, and Luana Vitra, with essays by Federico Giani, Sohrab Mohebbi, Julia Morandeira Arrizabalaga, Chiara Nuzzi, and Anne Reeve.
Suffused with specially conceived collages of the artist’s research materials, notes, and sketches, this is the first monograph on Castelli’s painting and sculpture, with essays by Sarah Crowe and Lillian Davies, and an artist interview by Francesco Manacorda. Published with Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien.
What if the shadow moved first? From March through May 2026, the exhibition The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.
Edited by Rui Mateus Amaral
Texts by Rui Mateus Amaral, Carlos Bunga, Rina Carvajal, Roland Groenenboom, Omar Kholeif, November Paynter, and Catarina Rosendo
Designed by Ilhas Studio
2025, English / Portuguese, hardcover, 14 x 19 cm, 388 pages
ISBN 979-12-80579-92-8
Carlos Bunga: Inhabit the Contradiction is an extensive monograph devoted to the work of Carlos Bunga, published in conjunction with his eponymous exhibition presented at CAM – Gulbenkian.
The book contains notes by the exhibition curator and catalogue editor, Rui Mateus Amaral, who introduces readers to the exhibition project, providing an in-depth account of its genesis and development, focusing on the dialogue between Bunga’s work and selected pieces from the CAM collection. The notes describe both Bunga’s new and existing works, as well as their configuration within the space, with the intention of opening up multiple points of access to the exhibition, leaving room for individual interpretation.
Designed by as ilhas studio, the catalogue also contains new essays by various authors written especially for the occasion—Rina Carvajal, Roland Groenenboom, Omar Kholeif, November Paynter, and Catarina Rosendo—each offering an in-depth look at salient aspects of the artist’s multifaceted practice.
The content is complemented by DNA 2015–25, a dictionary-style text that Bunga began in 2015 and adapted for this publication. The terms, which the artist defines in his own unique way, are keywords that allow the reader to enter into Bunga’s current thought process, and into his particular approach to the world of art.
The book also contains a rich picture section, mainly dedicated to site-specific works and performances: a series of installation views, video stills, and performance views alternate with photographs, published for the first time, documenting the installation and assembly process of numerous exhibitions and works. Like a slide show, this image gallery offers a unique and generous insight into Bunga’s working method through the main projects the artist has worked on between 2019 and 2025. The poster enveloping the book completes the documentation, providing a snapshot of the installation of Inhabit the Contradiction at CAM – Gulbenkian, Lisbon.