At 500 pages, this is the most comprehensive book yet on Norwegian artist, Ida Ekblad. Appearing three years after the artist’s show at Kunsthalle Zürich, Melted Snow took certainly a long time—all the time is takes to ponder fifteen years of the artist’s career.
On the occasion of PROVENCE’s 15th anniversary, the reader My Alphabet presents 26 texts published by PROVENCE between 2009 and 2024, either in print or digitally in the weekly newsletter. These texts are sorted alphabetically, ranging from A for Amphetamine to N for Ne travaillez jamais to Z for Gen Z.
This publication is devoted exclusively to the metal works of Sidsel Meineche Hansen. Catalogued here is every cast, forged, and fabricated metal sculpture made since 2017. Poems by the artist Diego Marcon annotate and respond to the individual pieces.
This compelling artist’s book is built around KOOL (“cabbage” in Dutch), an original font designed by Reus, somewhere between a plant alphabet and concrete poetry. The publication draws on the type specimen book tradition to present new typefaces.
Through a rich selection of images, this artist’s book, published in two editions—gold and silver—explores the birth, life and death of Francesco Gennari’s work Vorrei perdermi e non trovarmi più, 2022, exhibited for the first time at the Ciaccia Levi Gallery in Paris.
Through a rich selection of images, this artist’s book, published in two editions—gold and silver—explores the birth, life and death of Francesco Gennari’s work Vorrei perdermi e non trovarmi più, 2022, exhibited for the first time at the Ciaccia Levi Gallery in Paris.
The Luxembourg Pavilion at the 60th Venice BiennaleA Comparative Dialogue Act
Edited by Joel Valabrega, Andrea Mancini, Every Island
Texts by Dan Fox, Bettina Steinbrügge, and Joel Valabrega
Scores by Selin Davasse (sound by Alexander Iezzi), Célin Jiang, Stina Fors & Bella Báguena
Published with Mudam Luxembourg
2024, English, vinyl and book bundle, 48 pages, 30 x 30 cm
ISBN 979-12-80579-53-9
The 48-page booklet is a prequel to the exhibition titled A Comparative Dialogue Act, the Luxembourg Pavilion at the 60th Venice Biennale, and includes an introduction by Bettina Steinbrügge, Director of Mudam Luxembourg; a commissioned essay by writer and musician Dan Fox a curatorial statement by Joel Valabrega, curator of the pavilion; alongside a rich visual contribution by the commissioned artists.
The vinyl record was released to mark the end of the Biennale, capturing the essence of the sonic interventions which have unfolded in the pavilion space over the last six months. The pavilion is the result of a collaboration between Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island and was conceived as an infrastructure for the transmission of sound.
The pavilion welcomed four guest artists at the Biennale—Selin Davasse, Célin Jiang, Stina Fors and Bella Báguena. Their creations were turned into an ongoing dialogue, now available as a vinyl record.