Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
The paintings and drawings by Jake Grewal draw the viewer in through stillness and ambiguity: they invite reflection on how we inhabit places—physically and emotionally—and how our inner landscapes mirror the physical world. This is the Grewal’s first book, published to accompany the artist’s exhibition at Studio Voltaire.
The transformation of the notion of monuments and the way cultural institutions choose to deal with it find in Maurizio Cattelan an interpreter capable of manipulating historical memory and shared symbols, to the point of turning them into a terrain of doubt and play. Lisa Parola and Lorenzo Giusti investigate the potential of contemporary art within the public sphere.
This is a visual archive of 12 years of developing, designing and exhibiting the House of One, a multireligious sacred space in the heart of Berlin. The architecture, conceived by Kuehn Malvezzi, has been displayed at various venues while being developed in close collaboration with three local religious communities in Berlin since 2012.
The first major monograph on artist Jill Mulleady, whose paintings thread motifs of decay, memory, history, and private myth, featuring humans and animals enacting their instinctive psychological reactions to ever-present threats of danger.
The essays in this first-ever monograph dedicated to Swiss artist Jan Vorisek, alongside image portfolios of the exhibitions they explore and an appendix that features photos and documentation of Vorisek’s performances, recordings and ephemera, grant us unprecedented access to the private fictions that the work reveals.
Since the 1990s Costa has been challenging hierarchies of art production and the fetishization of the “finished” artwork, inviting viewers to reconsider what is discarded, both materially and socially. Through over 300 artworks, accompanied by new writing, this catalogue explores Adriano Costa’s work, a meditation on transformation—of objects, meanings, and systems of value.
Edited by Emily Coates. Texts and contributions by Emily Coates, RoseLee Goldberg, Jill Johnston, Kathy Noble, Yvonne Rainer, David Thomson, Lynne Tillman and Soyoung Yoon, and a conversation between Yvonne Rainer, Emily Coates and Nick Mauss
Design Nick Mauss
Layout by Dominik Krauss
2023, English, softcover, 160 pages, 21 x 28.5 cm
ISBN 979-12-8579-11-9
Parts of Some Sextets, Yvonne Rainer’s 1965 performance for ten people and twelve mattresses, represents a turning point in the American choreographer’s oeuvre. “My mattress monster,” as Rainer calls it, was built in her formative years with the experimental downtown New York group Judson Dance Theater. In this work, she asserted her exploration of “ordinary” actions as well as her disregard for narrative constructions to create an intricate choreography that unfolded with a new scene every thirty seconds. More than half a century after its premiere, Rainer, in collaboration with choreographer and dancer Emily Coates, directed the 2019 revival of the piece for the Performa 19 Biennial in New York, grappling with the changing contexts of a new presentation of her radical performance. Remembering a Dance: Parts of Some Sextets, 1965/2019 delves into every aspect of this dance, from its original manifestation to its reconstitution. This book, designed by visual artist Nick Mauss, includes previously unpublished archival images and documents from the 1965 stagings at the Judson Memorial Church in New York and the Wadsworth Atheneum in Hartford, Connecticut. Texts by Emily Coates, RoseLee Goldberg, Jill Johnston, Kathy Noble, Yvonne Rainer, David Thomson, Lynne Tillman, and Soyoung Yoon, as well as a new interview with Rainer, pose questions about the trajectories of artworks, performers, and audiences, all while tracing the life—and afterlife—of a dance.
Published with Performa and Wadsworth Atheneum
