The artist’s book to love and devour by Tolia Astakhishvili was published on the occasion of the inaugural exhibition at the new site of the Nicoletta Fiorucci Foundation in Venice, curated by Hans Ulrich Obrist.
This monograph, published on the occasion of Samson Young’s exhibition at SFMOMA, focuses on his latest project, Intentness and Songs, a multimedia installation that poetically traces the idiosyncratic rhythms of love, memory, experiences of time, and AI. Essays and a rich set of unpublished materials offer new keys to understanding the artist’s work.
The book, published on the occasion of the eponymous exhibition held at CAM – Gulbenkian in Lisbon, explores convergences in the work of Paula Rego (Lisbon, 1935 – London, 2022) and Adriana Varejão (Rio de Janeiro, 1964), although they belong to different generations and come from different backgrounds.
O livro, lançado por ocasião da exposição homónima no CAM – Centro de Arte Moderna Gulbenkian, em Lisboa, explora as convergências nas obras de Paula Rego (Lisboa, 1935 – Londres, 2022) e Adriana Varejão (Rio de Janeiro, 1964), apesar de pertencerem a gerações e contextos distintos.
The future of architecture lies in the curatorial approach. This is the thesis put forward by architect Wilfried Kuehn and theorist Dubravka Sekulić in their book, which brings together contributions from more than 30 authors working in the fields of architecture, art, and curatorial knowledge and practice.
Emanuele Coccia describes the radical creative freedom inscribed in Ernesto Neto’s practice, analyzing the workings of the Brazilian artist’s pieces of living architecture. Art on Earth is the third book in a series of short essay collections inspired by the site-specific projects conceived for GAMeC at Palazzo della Ragione.
Edited by Simon Denny, Timon Beyes, Robin Holt, Claus Pias, and Bettina Steinbrügge
Design by David Bennewith
2023, English, softcover, 204 pages, 22 x 30 cm
ISBN 979-12-80579-16-4
Based on the exhibition Proof of Stake: Technological Claims at Kunstverein in Hamburg, curated by Simon Denny and Bettina Steinbrügge, the book brings together a global group of artists and scholars who inquire into the objects, apparatuses, geographies and power relations of organized life.
How does technology organize life? Who gets to claim the technological as their own, and thereby becomes claimed? How can the technological be reclaimed?
The Proof-of-Stake protocol is assumed to provide a sustainable consensus mechanism for blockchain transactions. This book uses this assertion as a springboard to artistically and conceptually investigate the organizational conditions and effects of technology and technological objects.
Designed by David Bennewith, Proof of Stake: Technological Claims is more thought experiment and tool to think with than exhibition catalogue. It interweaves the documentation of the works of the participating artists with 20 original essays on technological objects written by leading scholars.
Contributing artists: Robert Alice, Mel Chin, Joshua Citarella, Simon Denny, Fang Di, Stephanie Dinkins, DISNOVATION, Sarah Friend, Isa Genzken, Holly Herndon / Mathew Dryhurst, Femke Herregraven, Mike Kelley, Josh Kline, Paul Kolling, Agnieszka Kurant, James Luna, Karamia Müller, New Red Order (NRO): Zack Khalil, Adam Khalil, Jackson Polys, Yuri Pattison, Timur Si-Qin, Jaune Quick-to-See Smith, Krista Belle Stewart, Paul Thek, Luke Willis Thompson, Prateek Vijan, andBeecoin – a project by KUNSTrePUBLIK (Einhoff, Horst, Sachs) in cooperation with Hiveeyes and Nascent (Paul Seidler & Max Hampshire).
With essays by Clemens Apprich, Timon Beyes and Robin Holt, Clare Birchall, Tania Pérez-Bustos, Wendy Hui Kyong Chun and Gillian Russell, Rachele Delucchi, Günter Figal, Yuriko Furuhata, Marisa Galvez, Maya Indira Ganesh, Ute Holl, Geert Lovink, Reinhold Martin, Joshua Neves, Viviane Sergi, Nishant Shah, Marc Steinberg, Denise Tse-Shang Tang, Bettina Vismann, Kalindi Vora, Yutaka Yamauchi and Ko Kado.