Oh mio cagnetto, is the artist’s first book of writings, conceived as an artwork. It is a collection of 81 little poems that revolve around the missed and mourned figure of a puppy. It intentionally plays on the ambiguity of its nature, as both a book distributed in conventional ways and an art object.
When she started writing the Corona Tales, Chus Martínez had been weighing how people and the media were addressing the outbreak of the virus as an unprecedented disaster. One possible contribution, as curator and writer, would be to write a short story a day…
The Luxembourg Pavilion at the 60th Venice BiennaleA Comparative Dialogue Act
Edited by Joel Valabrega, Andrea Mancini, Every Island
Texts by Dan Fox, Bettina Steinbrügge, and Joel Valabrega
Scores by Selin Davasse (sound by Alexander Iezzi), Célin Jiang, Stina Fors & Bella Báguena
Published with Mudam Luxembourg
2024, English, vinyl and book bundle, 48 pages, 30 x 30 cm
ISBN 979-12-80579-53-9
The 48-page booklet is a prequel to the exhibition titled A Comparative Dialogue Act, the Luxembourg Pavilion at the 60th Venice Biennale, and includes an introduction by Bettina Steinbrügge, Director of Mudam Luxembourg; a commissioned essay by writer and musician Dan Fox a curatorial statement by Joel Valabrega, curator of the pavilion; alongside a rich visual contribution by the commissioned artists.
The vinyl record was released to mark the end of the Biennale, capturing the essence of the sonic interventions which have unfolded in the pavilion space over the last six months. The pavilion is the result of a collaboration between Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island and was conceived as an infrastructure for the transmission of sound.
The pavilion welcomed four guest artists at the Biennale—Selin Davasse, Célin Jiang, Stina Fors and Bella Báguena. Their creations were turned into an ongoing dialogue, now available as a vinyl record.