Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
Strata compiles 37 conversations with artists whose work has made a significant contribution to the Italian and international art scene since 2000. This book is the personal account of a number of encounters, friendships, and professional relationships that Vincenzo de Bellis and Alessandro Rabottini have nurtured over the past twenty years.
Pardon Façade documents the artistic output of Luca Monterastelli, showcasing almost all of the sculptures and installations that he produced between 2011 and 2022. Across four chapters—corresponding to four solo shows that he staged in Milan, Otegem, Antwerp, and Naples—the publication provides the first overview of the artist’s work.
More than half a century after its premiere, Yvonne Rainer, in collaboration with choreographer and dancer Emily Coates, directed the 2019 revival of her 1965 performance Parts of Some Sextets. This book poses questions about the trajectories of artworks, performers, and audiences, all while tracing the life—and afterlife—of a dance.
How does technology organize life? This book documents and reflects on the exhibition Proof of Stake: Technological Claims at Kunstverein in Hamburg, curated by Simon Denny and Bettina Steinbrügge. It brings together a unique group of artists and scholars who investigate the technological apparatuses and power relations of organized life.
This artist’s first monograph brings together sketches, documentation and installation shots, as well as an in-depth analysis of her practice. It highlights her process of making art, from the conception of an idea to the finished work, and from the deconstruction and re-assembling of her characters’ identities to the relentless creation of new worlds.
Published on the occasion of the first exhibition in Italy by Jenna Gribbon, staged at the Collezione Maramotti, Mirages showcases a wealth of images that highlight the fluid, sensual output of this artist who, in repeatedly portraying her wife, the musician Mackenzie Scott (aka TORRES), explores the implications inherent in seeing and being seen.
Edited by Lorenzo Giusti and Valentina Gervasoni
Texts by Pietro Roberto Goisis, Antonio Moroni, and Rachel Whiteread
Designed by Lorenzo Mason Studio
2024, English / Italian, softcover, 11 x 17.7 cm, 96 pages
ISBN 979-12-80579-38-6
The Mark of Trauma is the first book in a series of short essay collections inspired by the site-specific art projects specially conceived for GAMeC at Palazzo della Ragione, a symbolic, time-honored location within the city of Bergamo that embodies the values of community life and participation. Rachel Whiteread was asked to name an author who interests her—be it a researcher, a philosopher or a scholar—and whose thinking could be said to underpin the project, with a view to finding a path through the complexities of the present day, starting from the work produced but without necessarily lingering on it. Through the words of psychoanalysts Angelo Antonio Moroni and Pietro Roberto Goisis, the book highlights the main characteristics of the collective trauma that gave rise to Rachel Whiteread’s project …And the Animals Were Sold.
For the artist, the exhibition afforded the first opportunity to express herself artistically on the dramatic and alienating experience of the Covid-19 pandemic. Whiteread was so struck by her first visit to Bergamo—one of the first cities to experience a return to pre-pandemic life—that she began thinking about her work as being bound up with the tragic, uncontrolled spread of the pandemic there. As such, the artist wanted to create a close relationship with the Bergamo area and its history, as well as with the architecture of the exhibition venue. Similarly, by adopting the perspective of the city that was the first in the West to experience the sense of vulnerability and collective loss associated with the pandemic, Goisis and Moroni alternate between personal recollection and analytical reflection, building up a composite picture, awash with explorations and memories, which unveils the psyche of an entire geographical region, the substance of this place, of the society here and of its influences.
