Published in conjunction with a solo exhibition at Kunst Museum Winterthur, this book provides the first overview of Altmann’s work to date, characterized by a strongly socio-critical consciousness, and reveals the artist’s influences and inspirations.
The first monograph dedicated to Paloma Bosquê addresses the Brazilian artist’s ways of understanding and giving shape to that matter which can be perceived, but not rationalized.
The first book on London based artist Gili Tal, whose practice identifies how the digital has long become a reality that has subjected our habits of perception to a radical change.
Through comprehensive and interdisciplinary readings of landscape, cinema, architecture, and visual culture, this first monograph builds on the storytelling dimensions that have always informed the photographic oeuvre of the Syrian artist.
The book is the outcome of an exhibition around the theme of the sacred. The resumption of historical figures, classical art-historical iconography, and everyday images intermingle in a reconstruction of reality that is dreamlike, painful, and sometimes grotesque.
Vogliamo tutto. Cultural Practices and Labor is a publication on work within a changing socio-cultural context: from the impact of the Industrial Revolution to post-industrial decline through to the rapid evolution of the digital era.
Edited by Samson Young
Texts by Karen Cheung, Alison Guh, Xiaoyu Weng, Samson Young
Designed by Dixon Chan
2025, English, 19 x 24 cm, 120 pages
ISBN 979-12-80579-63-8
This monograph, published on the occasion of Young’s exhibition at SFMOMA, features two new essays by curators Karen Cheung and Alison Guh, as well as a conversation between Xiaoyu Weng and the artist that delves into the exhibition’s emotional resonance and the philosophical implications of memory, AI, and time. The publication also includes an extended note on the technical aspects of the work. The texts are accompanied by archival image collages by book designer Dixon Chan.
Intentness and Songs is a multimedia installation that poetically traces the idiosyncratic rhythms of love, memory, and experiences of time. In this interconnected audiovisual landscape, Young draws on the duration and rhythm of human and generative AI memory-recall processes as the basis for polychromatic sculptures, videos, and a mesmerizing soundscape. Visitors are invited to wander through pathways of wooden boards, with markings created through a mix of techniques, and 3D-printed boards, etched and embedded with objects and memories excerpted from the lives of the artist and his husband.