This richly illustrated book considers the dazzling oeuvre of choreographer and dancer Marlene Monteiro Freitas. In line with her creative methodology, Alexandra Balona unfolds an “atlas of affects” through five emblematic dance pieces that reveal the intensity, humor, and humanity of one of today’s most radical choreographic voices.
Invited to present an exhibition at the Galleria Borghese in Rome, Kenyan-American artist Wangechi Mutu has developed an innovative approach to museum space, challenging hierarchy, permanence, and fixed meanings. With in-depth essays and a rich selection of illustrations, this catalog retraces that exhibition and explores the themes and concerns that have long characterized the artist’s practice.
Invitata a concepire una mostra alla Galleria Borghese, l’artista keniota-americana Wangechi Mutu ha sviluppato un approccio innovativo allo spazio museale, confrontandosi con le gerarchie, la permanenze e le sedimentazioni del contesto. Attraverso saggi approfonditi e una ricca selezione di illustrazioni, questo catalogo ripercorre la mostra ed esplora i temi e le preoccupazioni che da tempo caratterizzano la pratica dell’artista.
A visual notebook of the screenshots taken by Yngve Holen over the past five years or so, 6G—the anticipated next phase of network technology—is a peculiarly sized artist’s book, a glossy non-linear agglomeration that reflects the intersections of production, life, and digital debris.
Conceived as a visual résumé, the book provides a comprehensive overview of Posenenske’s solo exhibitions and a record of her numerous group shows. Featuring an essay by curator Erlend Hammer on the role of documentary photographs in the circulation of works of art, it was published in conjunction with the eponymous show at the Haugar Art Museum in Tønsberg.
Edited by Fatima Hellberg, James Richards, and Leslie Thornton
With work and contributions by Horst Ademeit, Rae Armantrout, Tolia Astakhishvili, Ed Atkins, Kirsty Bell, Adelhyd van Bender, Bruce Conner, Fatima Hellberg, Mason Leaver-Yap, Veit Loers, Terence McCormack, James Richards, Jens Thornton, Leslie Thornton, and Thomas Zummer
Copublished with Bonner Kunstverein, Malmö Konsthall and Künstlerhaus Stuttgart
Designed by Karl Kolbitz and Nicoletta Dalfino Spinelli
2021, English, hardcover, 21.9 x 28.5 cm, 160 pages
ISBN 978-88-945353-3-4
Divine Drudgery is an artist book with collages and artworks by James Richards and Leslie Thornton, and contributions by artists, writers and poets centred around liminality and the aesthetics and politics of the invisible. These dialogues and strands are anchored in and loop back to three exhibitions developed by the editors: Speed (Künstlerhaus Stuttgart), Speed II (Malmö Konsthall), and The Holding Environment (Bonner Kunstverein), and radiate outwards.
In the making of Divine Drudgery, there has been an ongoing concern with specific psychic and temporal states, rushes of systemic and embodied interconnectedness and wonder, as well as a sense of porousness and paranoia. The oscillation between an ordering impulse and the relinquishing of control is a central feature, one that returns in Divine Drudgery’s different modes: in the poetry and writing; collages, visual essays and specifically conceived work. There is an impulse of collaboration that brought about this project, one that renders the monologue of anxious speculation into a dialogic practice. The disparate elements have been generated from the third mind of collaboration, a channelling of and at times conscious unsettling of each other’s sensitivities, a process which in the words of artist and contributor to the publication Adelhyd van Bender could be understood as the “divine drudgery.“
Ph. Mareike Tocha
The editors
Fatima Hellberg is director of Bonner Kunstverein and former artistic director of the Künstlerhaus Stuttgart. Her curatorial practice is developed in close dialogue with artists and is often associated with long-term exchange, with amongst others Gregg Bordowitz, Ellen Cantor, David Medalla, James Richards and Leslie Thornton. She has curated exhibitions in institutions including the ICA, London; Tate Modern; the CCA Wattis Institute for Contemporary Arts, San Francisco; the South London Gallery and Malmö Konsthall.
Known for his provocative and visually seductive moving-image works that collage together a wide range of source material, James Richards’s work carves out a space where personal politics and digital materiality might meet. Recent exhibitions include When We Were Monsters, Haus Mödrath (2021); The Holding Environment, Bonner Kunstverein (2021); Alms for the Birds, Castello Di Rivoli (2020); Speed II, Malmö Konsthall w/ Leslie Thornton (2019); Speed, Künstlerhaus Stuttgart w/ Leslie Thornton (2018).
In a career spanning nearly five decades, Leslie Thornton has produced an influential body of work in film and video. Her early encounters with experimental, structuralist, and cinéma vérité fuelled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. Thornton’s work has been exhibited at documenta 12, Kassel; The Whitney Museum of American Art, MoMA PS1, and Artists Space in New York; Tate Modern and Raven Row in London; the Walker Art Center, Minneapolis, among many others. Recent solo and two-person exhibitions have taken place at Kunstverein Nürnberg (2020); Malmö Konsthall (2019); Secession, Vienna (2018) and Künstlerhaus Stuttgart (2018).
